Friday, November 27, 2009

The Artist in the Library


The artist in the library

A while back Dexter Sinister created a work for the local chapter of the Art Librarians Society [ARLIS/NY] to give as a premium for a conference on Contemporary Artist Books we organized.


The designer's explanation

Also at the Art Book Fair 2010 was Filip AAAARG Library.

Likewise,

Bert Teunissen's book Domestic Landscapes: An Introduction Manual can be sequenced by the beholder.





Sexy Librarian ny Julia Weist

Interstitial Library

Clegg & Guttman




Carlos Motta






Bibliography:

The Archive [Documents of Contemporary Art]. Edited by Charles Merewether. Cambridge MA: The MIT Press, c2006.

Archive Fever-Uses of the Document in Contemporary Art. Edited by Okwui Enwezor. Gottingen: Steidl/International Center of Photogaphy, c2008.

Baum, Kristin Alana. “The Cartalog Project.” Umbrella, 29: no. 2 (1 Jun, 2006).

Baum, Kristin. “The Story in the Cards: Intimacy, Empathy and Reader Response.” The Bonefolder: an e-journal for the bookbinder and book artist, Vol. 3, no. 1 (Fall 2006). [About CARTalog]

Bodman, Sarah. “Bookmarks: Infiltrating the Library System.” ArtBook, v. 12, no. 1 (Feb 2005), pp. 54-55.

Bourriaud, Nicolas. Postproduction. New York: Lukas & Sternberg, c2002, 2007.

Bourriaud, Nicolas. The Radicant. New York: Lukas & Sternberg, c2009.

Breynard, Shane. “Archives and the Everyday.” Art/Text, no. 60 (Feb-Apr, 1998), pp. 83-84.

Buchhart, Dieter. “Clegg & Guttmann: Sha’at nez oder die verschobene Bibliothek: Sigmund Freud-Museum, Wien.” Kunstforum International, no. 170 (May-Jun 2004), pp. 330-331.

Deep Storage: Collecting, Storing, and Archiving in Art. Edited by Ingrid Schaffner and Matthias Winzen. New York: Prestel, c1998.

Eye on Europe: Prints, Books and Multiples 1960 to Now. Edited by Deborah Wye and Wendy Weitman. New York: Museum of Modern Art, c2006.

Jana, Reena. “Cover Story: An artist painstakingly re-creates books from his own library.” Art on Paper, vol. 10, no.3 (Jan/Feb 2006), pp. 33-34.

“Joyce Cutler-Shaw at Four Libraries.” Artweek, vol. 34, no. 10 (Dec 2003/Jan 2004).

Linfield, Susie. “Every Photo an Archive.” The Nation, May 5, 2008, pp. 30-33. [Review of Archive Fever]

McDonough, Tom. “The Anarchive.” Art in America, May, 2008, pp. 77-79.

Mendelsohn, Adam E. “Do You Like Stuff? Swiss Institute New York.” Art Monthly, no. 290 (Oct 2005), pp. 34-35.

Murray, Soraya. “Digital Aesthetics: Two Handbooks.” Art Journal, Vol. 63, no. 3 (Fall 2009), pp. 112-115.

Osthoff, Simone. “Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings and Archives.” Art Journal, Winter 2006. [About Paulo Brucksy’s mail art archive installation]

Public Information : Desire, Disaster, Document. San Francisco: San Francisco Museum of Modern Art, c1994.

Scheyerer, Nicole. “Clegg & Guttman.” Frieze online, 9/13/05.

Schmetterling, Astrid. “Archival Obsessions: Arnold Dreyblatt’s Memory Work.” Art Journal, Winter 2007. [About a 2000 installation called “Wunderblock”]

“Strunk & White the Opera.” Artforum International, vol. 12, no. 4 (Dec 2005/Jan 2006 supplement), p. 5.

Tumlir, Jan. “Bureaucratic Poetry.” Art/Text, no. 63 (Nov 98 – Jan 99), pp. 34-7. [About David Bunn’s catalog card project.]

Tuzunoglu, Azra. "Open Library: Istanbul." Art Papers, vol. 31, no. 5 (Sept/Oct 2007), pp. 62-63.

Wang, Zhe. “The Promise of Database Cinema: A Review of Lev Manovich and Andreas Kratky’s ‘Soft Cinema: Navigating the Database.’” Journal of Media Practice, Vol. 10, no. 2/3 (2009), pp 289-94.


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